Quite possibly one of the best preserved and most architecturally inspiring houses remaining in Glasgow’s West End (A Listed) , this remarkable home stands as a testament to the unparalleled ingenuity and artistic prowess of Glasgow’s golden age.

An immediate and indelible impression is made by the magnificent double height reception hall, where an expansive carpet of original Minton floor tiles unfolds beneath, drawing our gaze forward towards a pair of imposing classical columns, which define the space and sets the tone and drama for what lies beyond.

The space is awe-inspiring, an enormous circular cupola towers above the upper gallery, meticulously embellished with ornate balustrade designs, manufactured by Walter Macfarlane’s Saracen Foundry, famous globally thanks to their wares being exported all over the British Empire. Each corner of the galleried landing is marked by a protruding cast iron torchère, almost identical in form to those found within the pulpit of St Vincent Street Church; another celebrated creation of Alexander “Greek” Thomson; their flame shaped lamps subtly echoing the same distinctive design.

Two vast principal reception rooms sit to either side of the expansive hallway, each enjoying exceptional proportions, soaring ceilings and an abundance of natural light from their large front facing windows. Both rooms benefit from a particularly pleasant outlook across the terrace, where the absence of buildings directly opposite allows for an unusually open aspect, softened by mature planting and greenery. The townhouse itself sits slightly elevated above street level, ensuring the principal rooms enjoy an excellent sense of privacy and remain entirely unoverlooked from passing pedestrians.

Both lounges focalise around ornate hand chiselled fireplaces, with a level of craftmanship that is truly artisanal and absolutely unique. The crowning feature of Alexander Thomson’s creation is the phenomenal dining room, open to one of the front lounges via an archway. Immediately, visitors’ eyes are drawn to the most spectacular series of stained glass panels, dramatically framed within a beautifully hand carved stone arch, forming an extraordinary narrative frieze that floods the room with colour and vibrancy. Executed in a richly detailed medieval style, the panels appear to depict scenes from Arthurian legend; a gallant knight arriving on horseback, a maiden watching from a tower, and a series of romantic encounters that unfold across the glass. The craftsmanship is nothing short of breathtaking, with delicately painted figures framed by intricate botanical borders of leaves, flowers and butterflies that shimmer as the light shifts throughout the day.

The six bedrooms (bedroom six currently utilised as a dressing room) of the upper level are symmetrically arranged off the central galleried landing, extending the sense of architectural awe and grandeur established by the remarkable reception hall. Each bedroom is very well proportioned, two of which are serviced by en suites, while a five piece family bathroom caters for the rest. The principal bedroom has a sizable walk in wardrobe in addition to its dedicated en suite. An invaluable utility room is pragmatically located adjacent to the bedrooms on the first floor, while a lower utility hallway leads to the private south facing rear garden. The home has a brilliant double garage accessible from the garden and Great Western Terrace Lane to the rear, where entry is granted from Westbourne Gardens and Belhaven Terrace West.